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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond in Leeds during 1977

Dave Ball, one half of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later formed the innovative electronic act The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, following a spate of ill-health.

"I ended up injure myself quite a bit," he commented in 2023. "I broke lower vertebrae in my spine and fractured about five ribs and fractured my wrist."

Following contracting a lung infection and suffering from sepsis, he was put in an induced coma and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits emotionally" during the summer, as he worked on a new album with Almond, called the upcoming Danceteria, which is set for release next year.

"He was focused and so happy with the latest project that we literally completed only a few days ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his bandmate as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense aspect of my existence and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is distinct from being in a group, the connection is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He grew up in the seaside town with his new family Donald and Brenda Ball, who altered his first name from Paul to David, together with his younger sister Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both learning art. Inspired by a mutual passion of a music genre, they formed Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The duo were an unusual combination: Ball was the reserved musician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and eye-liner; but they achieved a unique creative synergy.

Ball had cultivated a interest with synthesizers after viewing Kraftwerk perform on BBC program a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, shifting 21 million copies globally. Together with hits by Gary Numan, Human League and Ultravox, it helped cleared the way for the synth-pop sound of the 80s.

The track was also featured on their first album, their initial LP, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were developing fresh songs until just before Ball's death

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my first home, having money and travelling, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also caused challenges. "Newfound wealth meant we could purchase substances to alleviate the boredom" of media interviews and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a valid cause, because it works for so many musicians."

During the party-filled existence, the pair were also growing distant, but they managed to create a second classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before ending the group to focus on other projects.

Almond went on to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 album Cruelty Without Beauty.

Following another break, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, 2018.

However, they remained together, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the band's new album as a tribute to the New York club scene they frequented while making their first two albums.

He added that his period in medical care had influenced the band's sound.

"I experienced strange recollections when I was in and out of the hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a digital reflection of the sounds in my head from those days.
"In parallel, it's about the experiences me and Marc got up to in the 80s."

The final mixes were completed only a short time before Ball passed away. It is scheduled for release in the spring of 2026.

By

Paul Williams

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and startup ecosystems.

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